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The Grateful Dead Live at Winterland Arena on 1974-10-19




Set 1

Mississippi Half Step, Me & My Uncle, Friend Of The Devil, Beat It On Down The Line, It Must Have Been The Roses, El Paso, Loose Lucy, Black Throated Wind, Scarlet Begonias, To Lay Me Down, Mama Tried, Eyes Of The World-> China Doll, Big River

Set 2

Phil & Ned*, Uncle John's Band, Big Railroad Blues, The Race is On, Tomorrow Is Forever, Mexicali Blues, Dire Wolf, Sugar Magnolia-> He's Gone-> Truckin'-> Caution (Do Not Stop on Tracks) Jam-> Drums-> Truckin'-> Black Peter, Sunshine Daydream, E: One More Saturday Night, E: U.S. Blues


Collection GratefulDead
Band/Artist Grateful Dead
Date October 19, 1974
Venue Winterland Arena
Location San Francisco, CA

Source 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
Taped by Owsley Stanley


Notes

This is a partial copy of BEAR's 10 19 74 reels. There are cuts and missing songs, but I am sure the community will enjoy the value of this share.
You are downloading tape side A and tape side B, as transferred by Jim Blackwood in 24 bit 88.2 kHz and presented by Jamie Waddell. Absolutely Untouched.

Much Love to You Know Who You Are and of course safe travels to BEAR as he begins his residency in the cosmos. May he alter his new home as much as his did his terrestrial one!

a **GEMS** Production www.shnflac.net March 15 2011

Reviews

Reviewer: jr42581 - - April 14, 2011
Subject: Cool
I like it :-)
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper
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Source: Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes;
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Source: Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
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Source: flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone.
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